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statement
embedded 1998-2003
It's only a bottle cap, I thought, looking down
at a speck of glitter under my feet; a bottle cap
becoming something else as the ground devours it. New
York City's streets are embedded with lost and
discarded things: bottle caps, keys, and combs, rivet
nails, sink chains, batteries, even jewelry.
Flattened, pressed, ground into the tar, these stray
objects make the pavement sparkle at night. It is the
fertilizer of the city. These relics represent an
archeological study of our everyday life.
Someone drank the bottle empty and threw the cap
away. A clasp broke. Pockets with holes let a pen
drop through, an overloaded garment cart spilled a
hanger. How many cars have passed over it? Could one
kneel and dig with bare hands and tear it out again?
Who did it belong to?
Six years ago I moved my studio into Hell's
Kitchen, a very industrial, gritty part of the city.
Masses of people walk the streets, traffic is
constant, and unusual scraps of trash are left in
random places. All of these elements influenced the
embedded project.
Millions of years ago, when the earth was being
born, a similar process was taking place, as living
things became captured in time: flies caught in resin
that became amber, animals caught in ooze that became
rock. As those are clues to another world, so these
relics represent what we in the twenty-first century
are leaving behind today.
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